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Reference, export, and archive

About 37 minutes
Work at your own pace. Optional videos take extra time.
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Before you begin

The idea in everyday life

Check the mix on different speakers and headphones, revise it, export the required files, record ownership, and back up the project.

The idea

The mix is finished only when it works outside the room and can be opened again later.

Try it

One step at a time.

Use the sample or information you have permission to use. Keep your work as you go. You can pause between steps.

  1. 1

    Import two relevant commercial references, level-match them, and compare vocal level, low end, brightness, width, dynamics, and arrangement—not loudness alone.

  2. 2

    Check at low volume, headphones, mono, small speaker, car or other available systems, recording issues rather than changing immediately on each device.

  3. 3

    Make one prioritized revision pass, then export full-resolution mix, listening copy, instrumental, clean version, or stems as actually required.

  4. 4

    Verify start and end, clicks, clipping, metadata, naming, rights and credits, then consolidate and back up the entire session in two locations.

Example

See how it works.

Kai notes excessive bass on two systems, corrects one source, exports a 24-bit mix and reference MP3, then opens the archive copy to verify it.

Check your work

Did you cover these?

  • Your work includes final mix files, listening notes from different speakers and headphones, a revision log, an export list, credits and rights records, and session backups in separate locations.
  • Check this common mistake: Adding a limiter to match a louder reference and sending an unlabeled file without checking the first and last seconds.
  • The mix translates consistently, exports meet the destination specification, rights are documented, and the session can be restored.
Your work

What to finish

Final mix files, listening notes from different speakers and headphones, a revision log, an export list, credits and rights records, and session backups in separate locations.

Common mistake

Watch for this

Adding a limiter to match a louder reference and sending an unlabeled file without checking the first and last seconds.

How can I tell I understand it?

The mix translates consistently, exports meet the destination specification, rights are documented, and the session can be restored.

Try 3 questions

Quick knowledge check

Answer all 3 questions. Get at least 2 right and the lesson completes automatically.

Not yet passed

You’ll get an explanation for each answer. Signed in? Your results save to your account.

1Which step is part of “Reference, export, and archive”?
2What should you have made by the end of this lesson?
3Which mistake should you watch for in this lesson?
0 of 3 answeredApply the lesson to a short question, then review the explanation.
6
Finish this lesson

Pass the check. We’ll save the progress.

Answer all 3 questions above and get at least 2 right. You can review the explanations and try again.

Go to the knowledge check
Optional course overview video · same video as Lesson 1
Berklee OnlineMusic Production 101YouTube
Optional course overview

Music Production 101

From Berklee Online. Watch here or open it on YouTube .

Watch for an idea you can use in the practice below. You can pause or skip this optional overview.
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