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Paint light and shadow relationships

About 35 minutes · 7 reading + 28 practice and checks
Time includes reading, practice, and questions. Extra videos or further study are optional.
See this course’s project requirements

An original limited-palette still life in a free raster editor with named layers, controlled edges, a reversible mask, PNG export and native source.

Keep your working files in your own notebook or software. Save a private description, checklist, and work link in My Proof.

What to include

  • Create a limited-palette still life with named object layers.
  • Record canvas pixel dimensions and a stated light source.
  • Demonstrate different hard/soft edge relationships.
  • Hide and restore one region with a transparency mask.
  • Deliver native source, reopened full-canvas PNG and an honest revision/test note.

Review and revise

Use these criteria to check your work and choose what to improve.

  • Composition/value: large forms follow the named light and palette.
  • Layer ownership: objects remain separately editable.
  • Reversibility: mask hide/restore preserves source pixels.
  • Delivery: actual export matches the intended canvas and source.
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Before you begin

The idea in everyday life

Begin with large value regions. Use a brush size large enough to avoid noisy patches, and evaluate the whole study at reduced zoom. On curved objects blend transitions selectively; on flat faces preserve a plane change. Normal layer mode and a limited palette are enough for this study; unusual blend modes are optional.

The idea

Light and shadow establish form before decorative detail.

Follow along

Paint light and shadow relationships — worked practice

Light and shadow establish form before decorative detail.

Upper-left light plan: cream on the cup’s upper-left rim, orange midtone across its body, brown shadow on the right. Ball receives a light upper-left patch and a gradual darker lower-right turn. Box top is lighter than its right side. Ground Shadow extends lower-right. A broad highlight on every side would imply a different illumination setup and flatten the specified forms.

  1. 1. 3.1 Paint

    Add a named Light Study or Highlights paint layer above the object layers, or use separate child paint layers for each object. Retain the block-in source.

    You should see: The block-in remains recoverable.

  2. 2. 3.2 Paint

    Place the largest light/shadow regions using the supplied upper-left light plan. Check their location before applying small highlights.

    You should see: Large value regions match the named light.

  3. 3. 3.3 Paint

    Reduce zoom to inspect whether the objects remain distinct. Adjust a value that merges with its neighbor while preserving the named light direction.

    You should see: Reduced-size viewing exposes merged forms.

  4. 4. 3.4 Paint

    Create a small upper-right-light variant on duplicate layers. Move the relevant highlight/shadow regions, save it separately and compare the changed form reading.

    You should see: The changed-light variant changes actual pixel relationships.

Now change one thing

New light plan changes the broad light direction from upper left to upper right. In the simplified cup study, should its darkest broad side still remain right automatically? Answer yes or no.

Your work

What to finish

A light/shadow study and an upper-right-light comparison.

Common mistake

Watch for this

Adding random bright spots without explaining the light they imply.

How can I tell I understand it?

You can justify major value locations and revise them after a light change.

Try 3 questions

Quick knowledge check

Answer all 3 questions. Get at least 2 right and the lesson completes automatically.

Not yet passed

You’ll get an explanation for each answer. Signed in? Your results save to your account.

1Which first lighting action best supports this study?
2Why inspect the image at reduced zoom?
3What changes when the light moves upper right?
0 of 3 answeredApply the lesson to a short question, then review the explanation.
3
Finish this lesson

Pass the check. We’ll save the progress.

Answer all 3 questions above and get at least 2 right. You can review the explanations and try again.

Go to the knowledge check
Tools, templates, and lesson sources

Tools and templates

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Sources and further reading

Explore the references behind this lesson.

Krita official manual: Basic Concepts
Source & access notes · checked 2026-10-01

Read canvas, paint layer/compositing, color, selection and export boundaries in official 5.3 documentation; no native Krita session performed.

Access: Public page text or PDF was opened and read through the web reader on 2026-10-01; no signup required for reading.

Reuse: Linked for further study. All LifeStarter scenarios, samples, assets and assessments are original; no source exercises or artwork are copied.

Krita official manual: Common Workflows
Source & access notes · checked 2026-10-01

Read block-in/form/value workflow and layer guidance; no tutorial image copied or native application claimed tested.

Access: Public page text or PDF was opened and read through the web reader on 2026-10-01; no signup required for reading.

Reuse: Linked for further study. All LifeStarter scenarios, samples, assets and assessments are original; no source exercises or artwork are copied.

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