Apply a Declared Return to Tonic

Supplied materials

• Paper and a pencil, typed notes or a browser scratch area. Color names can replace colored supplies; drawn figures and timelines can replace performance.
• Complete teaching inputs: In a supplied tonal phrase, C is the named tonic and G the dominant. The brief asks to end on its tonic after dominant tension. Which final pair follows that plan? Supplied candidates: (A) C → C (B) C → G (C) G → C (D) G → G.
• Independent check: In a supplied tonal phrase, D is the named tonic and A the dominant. The brief asks to end on its tonic after dominant tension. Which final pair follows that plan? Supplied candidates: (A) A → A (B) A → D (C) D → A (D) D → D.

Learn the idea

Inspect the relationships underlying a score. Group eighth-note subdivisions, construct the supplied major-scale pattern, apply a declared tonal return and schedule a delayed movement motif with complete duration accounting. A supplied tonal brief can name a dominant tension and require a final return to its declared tonic. A candidate ending fits when it performs that stated harmonic relationship.

Reason through the supplied case: The plan specifies dominant then tonic: G followed by C. This is a stated functional-harmony exercise, not a universal claim about every style or listener. Ending on another chord could be an artistic choice under a different brief.

This is a particular Western tonal exercise, not a universal musical requirement. Harmonic labels alone do not verify expressive effect, tuning or execution in an actual performance.

1. Read the complete teaching inputs and mark the feature, rule or constraint being tested.
2. Compare the model decision with one rejected candidate; state the visible evidence or calculation that distinguishes them.
3. Solve the independent check and the three changed-input practice cases before reading feedback.
4. Write a three-section tonal map opening on a named tonic, moving to its supplied dominant and returning to the tonic.
5. Check your artifact against these explicit criteria: The opening and final tonic agree, and the middle section is the declared dominant rather than a substituted unrelated label.

Check your reasoning

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Take it further

New-input analysis: In a supplied tonal phrase, B-flat is the declared tonic and F its dominant. The brief requires a final dominant-to-tonic return. Which final pair follows that stated plan? Supplied candidates: (A) B-flat → B-flat (B) B-flat → F (C) F → B-flat (D) F → F. Expected relationship: F → B-flat. The declared relationship requires the dominant F before tonic B-flat. F→B-flat therefore completes this particular written brief. Another ending could serve a different artistic plan, but harmonic labels alone do not establish perceived or performed resolution. Create your own artifact: Write a three-section tonal map opening on a named tonic, moving to its supplied dominant and returning to the tonic. Completion criteria: The opening and final tonic agree, and the middle section is the declared dominant rather than a substituted unrelated label.

Nothing here is saved to an account or sent to a teacher. The answer download includes your current choice and any checked feedback. It does not include choices from the separate More practice section. Download that section separately.