Review: Read a Poem, a Script and a Narrator
Apply interpret a figure of speech, recognize poem structure, use a stage direction, tell narration from dialogue using supplied texts and original responses.
Bring the unit skills together
Use these 4 new cases to check your reasoning. Choices are temporary and are not saved to an account, sent to staff or recorded as school grades. Download your current review choices before leaving or reloading.
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Use the skills in a new task
Make a short complete response demonstrating the four skills in this unit. Write a four-line original poem in two two-line stanzas, including a simile and personification. Turn one line into a speaker-labeled script line and add a bracketed pause. Explain the differences among poem layout, dialogue and narration. Longer writing targets in optional extensions can be completed in a later session.
Work on paper or in your own document. Explain the choices you made.
- Identify what is being compared or given an action. Explain the shared quality instead of treating the figurative line as a factual event.
- Use the explicitly supplied line and blank-line information to count groups. Do not count sentences instead of lines.
- Read the bracketed phrase as an acting instruction. Distinguish movement, voice, face and timing.
- Inspect the sample marked narration. If it is instead only a speaker-labeled line, recognize that there is no narration sample.
Compare with a model response
My poem is: The moon is like a silver plate; / I wait beside the open gate. // The wind whispers through the tree; / A lamp keeps company with me. A blank line makes two two-line stanzas. Like a silver plate is a simile; wind whispers is personification. Script: JO: I can see the gate. [Pauses.] A speaker label identifies dialogue; the bracketed pause is acted rather than spoken.
A different response can also meet the criteria. Compare the evidence and reasoning, rather than copying the wording.